Bong Joon-ho's Parasite is virtually certain to win the Oscar for Best International Film, and it is not out of the running for Best Picture or Best Director, either. It unanimously won Palme d'Or at the 2019 Cannes Film Festival, and critics has lauded it as the greatest film of an exceptionally strong year, and perhaps even one of the best of the decade. It has brought belated, much-deserved attention to South Korean Cinema. By any measure, it has been a success that has likely exceeded the wildest dreams of anyone associated with it. What, then, should be made of the existence of a black & white version set for a theatrical release this year? The monochrome cut received its international premiere at the 2020 International Film Festival Rotterdam, and perhaps the most important and immediately noticeable thing about it is that it works, at least for the most part. Exteriors and shots looking out the basement windows of the Kim family suffer slightly; the same lack of