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EXCLUSIVE: Glitter & Doom, an LGBTQIA+ jukebox feature musical told with the iconic tunes of Grammy winning folk duo Indigo Girls, is in production already in Mexico City starring The Mandalorian‘s Ming-Na Wen, Y: The Last Man‘s Missi Pyle, and directed by Tom Gustafson off a screenplay by Cory Krueckeberg. Billed as a fantastical summer romance, the pic […] from Deadline https://ift.tt/3F5GFX0

The Los Angeles Police Department has some hard choices coming up. More than 2,600 employees with the LAPD are seeking religious exemptions for their mandated vaccinations. An L.A. city ordinance required non-exempt employees to receive their first dose of the Moderna or Pfizer two-dose vaccine no later than Sept. 7, and their second dose no later […] from Deadline https://ift.tt/2YcZBm1

Although his directorial credits are somewhat limited, British filmmaker Matthew Vaughn has forged an innovative style that fuses sharp humor with memorable characters, shocking darkness, and genuine sincerity. While he frequently works with established franchises and adapts previously existing properties, Vaughn makes his stories feel original, and his confidence behind the camera has made him one of the most prominent voices of his generation. Vaughn is brilliant in the way he approaches familiar genres. Espionage thrillers, romantic fairy tales, superhero origin stories, and underground mafia sagas are by no means new, but Vaughn knows his cinematic history and subverts expectations by tackling these stories from a less familiar perspective. A more traditional approach may have made these films feel stale and unoriginal, but with Vaughn at the helm they come across as fresh. Vaughn has carved out an exciting future for himself. His "Kingsman" prequel, the "The King...

Fremantle has completed its acquisition of 12 NENT Studios production labels in the Nordics for an undisclosed sum. The purchase, first announced in July, will see Fremantle take control of Strong Productions (Denmark); Grillfilms, Moskito Television and Production House (Finland); Monster, Novemberfilm, One Big Happy Family, Playroom, Rakett and Strix TV (Norway); and Balbua and […] from Deadline https://ift.tt/3mbcZ22

"The Morning Show" is just ramping up its second season on AppleTV+, and while the show has been dinged for being inconsistent in terms of its overall quality, one aspect of it that has been consistently good is Carter Burwell's score.  The famed composer has been churning out excellent work since the mid-1980s, working with acclaimed filmmakers like the Coen Brothers, David Mamet, Spike Jonze, Todd Haynes, and Martin McDonagh, among others. After working on a couple of limited series, Burwell recently started scoring full-on TV shows like "Space Force" and, of course, "The Morning Show," and we're here to debut two new tracks that will be included on the second season's soundtrack when it goes on sale tomorrow. Check them out below. We Get Alex Back I love the echo-y effect that Burwell's keys creates here, and the occasional staccato swells of timpani drums in the background. There's a good mixture of emotions here, too, transiti...

( Welcome to ...And More , our no-frills, zero B.S. guide to when and where you can watch upcoming movies and shows, and everything else you could possibly stand to know. ) It's becoming more and more difficult by the day to avoid the fact that a certain critically endangered species of movie -- known as the mid-budget feature -- has found new life at the major streaming services, especially during the ongoing pandemic. Increasingly, it seems like the big screen has become the exclusive home for spectacle-filled event films (although even those boundaries are being broken down these days, considering the day-and-date releases popularized by Disney+ and HBO Max) while the types of adult-oriented stories that used to be prevalent in theaters are now ending up with the likes of, for example, Amazon Prime. "Encounter" appears to be an interesting case of splitting the difference. Premiering at Telluride Film Festival and starring the indie favorite Riz Ahmed, the film cert...

It's weird how waiting for the "Five Nights At Freddy's" movie has felt like an actual level of the game. You're alone (because so few of your friends care), the night stretches on (by "night" we mean years), and bad news pops up like horrifying animatronic monsters when you least expect it. Is this some sort of elaborate ARG, is there a 10-year marketing plan for this movie? Probably not, but we need some sort of hope to hold onto if we're going to keep this dream alive.  We've been reporting on this viral video game, turned book series, turned movie since the news first broke in 2015 , and in the years since, we wrote about the film's director , we wrote about the script delay , we wrote about the new director , and now, like a true harbinger of bad news, we're here to tell you that "Five Nights at Freddy's" has lost its director ... again. Five Scripts Of Freddy's Jason Blum, CEO of the eponymous Blumhouse and ke...