Sundance Review: Karen Gillan In ‘Dual’

The influence of the Greek “weird wave,” and to a lesser extent the moral mazes of Austria’s Michael Haneke, have been seeping into U.S. indie cinema for quite a while now, and Riley Stearns’ third feature, Dual, comfortably fits into the Sundance slot taken last year by Pascual Sisto’s bizarre dysfunctional family satire John And […]

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