Acclaimed ‘Ain’t No Mo’‘ Sets Closing; After ’KPOP’ It Becomes The Second Racially Expansive Production To Find No Lasting Welcome On Broadway

For the second time in a week, Broadway is losing a worthy production that attempted to find an audience that encompassed but reached beyond the usual white, middle-aged demographic: Jordan E. Cooper’s Ain’t No Mo’, the often visionary, relentlessly brilliant and forever fearless take by its Black creators and performers on the stubborn subject of […]

from Deadline https://ift.tt/7mp6Uyn

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