Sundance Review: Celine Song’s ‘Past Lives’

The word “romantic” doesn’t have much place in cinema these days, serving mostly as a modifier for “comedy”. The term “women’s picture” has also passed out of favor since its ’40s heyday, regardless of the fact that the films that exemplified it usually featured strong female characters and almost always pushed back at the pressures […]

from Deadline https://ift.tt/eHFWDEa